3 posts tagged “war”

[...] He wants to tell us things: It is not the fittest who survive - it is merely those who happen to survive who survive. The earth is a ''fragile habitat'' that our big brains have failed to take care of. We must hope for flippers and beaks - or nothing at all. We are all, finally, being too mean to one another. ''I'll tell you what the human soul is,'' a character in ''Galapagos'' says. ''It's the part of you that knows when your brain isn't working right.'' [...]

[...] No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will still be wonderful.

If I should ever die, God forbid, let this be my epitaph:

THE ONLY PROOF HE NEEDED
FOR THE EXISTENCE OF GOD
WAS MUSIC

Now, during our catastrophically idiotic war in Vietnam, the music kept getting better and better and better. We lost that war, by the way. Order couldn’t be restored in Indochina until the people kicked us out.

That war only made billionaires out of millionaires. Today’s war is making trillionaires out of billionaires. Now I call that progress.

And how come the people in countries we invade can’t fight like ladies and gentlemen, in uniform and with tanks and helicopter gunships?

Back to music. It makes practically everybody fonder of life than he or she would be without it. Even military bands, although I am a pacifist, always cheer me up. And I really like Strauss and Mozart and all that, but the priceless gift that African Americans gave the whole world when they were still in slavery was a gift so great that it is now almost the only reason many foreigners still like us at least a little bit. That specific remedy for the worldwide epidemic of depression is a gift called the blues. All pop music today – jazz, swing, be-bop, Elvis Presley, the Beatles, the Stones, rock-and-roll, hip-hop, and on and on – is derived from the blues.

A gift to the world? One of the best rhythm-and-blues combos I ever heard was three guys and a girl from Finland playing in a club in Krakow, Poland.

The wonderful writer Albert Murray, who is a jazz historian and a friend of mine among other things, told me that during the era of slavery in this country – an atrocity from which we can never fully recover – the suicide rate per capita among slave owners was much higher than the suicide rate among slaves.

Murray says he thinks this was because slaves had a way of dealing with depression, which their white owners did not: They could shoo away Old Man Suicide by playing and singing the Blues. He says something else which also sounds right to me. He says the blues can’t drive depression clear out of a house, but can drive it into the corners of any room where it’s being played. So please remember that.

Foreigners love us for our jazz. And they don’t hate us for our purported liberty and justice for all. They hate us now for our arrogance. [...]

[...] I went to an overachiever’s high school in Indianapolis, which no longer exists. It was called Shortridge High School, and since 1906 had a daily paper. I was an editor of the Shortridge Daily Echo, and I learned to write. It was beneficial, really, because it made me aware immediately of the response of readers. You publish something people don’t like and you hear about it right away.

I knew how to paste up a front page and write headlines. At the City News Bureau, we phoned in our stories and we phoned in leads. The first thing you’d say is who, what, when, where and why. In writing fiction, that’s what I always did. I made sure the reader knew at once where he was, too. Fiction is a game for two. You have to make it possible for a reader to play along.

[...] DAVID BRANCACCIO: Well, I want to ask you about this. You ask in the book a question that actually you don't answer so I want to -

KURT VONNEGUT: I'm old.

DAVID BRANCACCIO: But I want to-- think about answering this one. You write "what can be said to our young people now that psychopathic personalities — which is to say persons without consciences, without senses of pity or shame — have taken all the money in the treasuries of our government and corporations and made it their own?" What can we say to younger people who have their whole lives ahead of them?

KURT VONNEGUT: Well, you are human beings. Resourceful. Form a little society of your own. And, hang out with them. Get a gang.

DAVID BRANCACCIO: You're preaching getting into gangs?

KURT VONNEGUT: Yes. Well, look, it's--

DAVID BRANCACCIO: A good gang.

KURT VONNEGUT: Look, I don't mean to intimidate you, but I have a master's degree in anthropology.

DAVID BRANCACCIO: I'm intimidated.

KURT VONNEGUT: From the University of Chicago-- as did Saul Bellow, incidentally. But anyway, one thing I found out was that we need extended families. We need gangs. And, of course, if they're tribes and clans and so forth have been dispersed by the industrial revolution by people looking for work wherever they can find it. And a nuclear family, a man, a woman and kids and a dog and cat is no survival scheme at all. Horribly vulnerable.

So yes, I tell people to formulate a little gang. And, you know, you love each other. [...]

[...] Newspaper reporters and technical writers are trained to reveal almost nothing about themselves in their writings. This makes them freaks in the world of writers, since almost all of the other ink-stained wretches in that world reveal a lot about themselves to readers. We call these revelations, accidental and intentional, elements of style. [...]

[...] One thing which has not changed is that none of us, no matter what continent or island or ice cap, asked to be born in the first place, and that even somebody as old as I am, which is 80, only just got here. There were already all these games going on when I got here. … An apt motto for any polity anywhere, to put on its state seal or currency or whatever, might be this quotation from the late baseball manager Casey Stengel, who was addressing a team of losing professional athletes: “Can’t anybody here play this game?” [...]

[...] What painters and sculptors and writers do, incidentally, is put very small properties indeed into good order, as best they can.

A painter thinks, "I can't fix the whole planet, but I can at least make this square of canvas what it ought to be." And a sculptor thinks the same thing about a lump of clay or marble. A writer thinks the same about a piece of paper, conventionally eleven inches long and eight-and-a-half inches wide. [...]

[...] I put my big question about life to my biological son Mark. Mark is a pediatrician, and author of a memoir, The Eden Express. It is about his crackup, straightjacket and padded cell stuff, from which he recovered sufficiently to graduate from Harvard Medical School.

Dr. Vonnegut said this to his doddering old dad: “Father, we are here to help each other get through this thing, whatever it is.” So I pass that on to you. Write it down, and put it in your computer, so you can forget it. [...]

Flags for MLK in Civic Park

"[...] There is at the outset a very obvious and almost facile connection between the war in Vietnam and the struggle I and others have been waging in America. A few years ago there was a shining moment in that struggle. It seemed as if there was a real promise of hope for the poor, both black and white, through the poverty program. There were experiments, hopes, new beginnings. Then came the buildup in Vietnam, and I watched this program broken and eviscerated as if it were some idle political plaything of a society gone mad on war. And I knew that America would never invest the necessary funds or energies in rehabilitation of its poor so long as adventures like Vietnam continued to draw men and skills and money like some demonic, destructive suction tube. So I was increasingly compelled to see the war as an enemy of the poor and to attack it as such. [...]"

"Beyond Vietnam: A Time to Break Silence" (background)

Flags for MLK in Civic Park

"[...] There is at the outset a very obvious and almost facile connection between the war in Vietnam and the struggle I and others have been waging in America. A few years ago there was a shining moment in that struggle. It seemed as if there was a real promise of hope for the poor, both black and white, through the poverty program. There were experiments, hopes, new beginnings. Then came the buildup in Vietnam, and I watched this program broken and eviscerated as if it were some idle political plaything of a society gone mad on war. And I knew that America would never invest the necessary funds or energies in rehabilitation of its poor so long as adventures like Vietnam continued to draw men and skills and money like some demonic, destructive suction tube. So I was increasingly compelled to see the war as an enemy of the poor and to attack it as such. [...]"

"Beyond Vietnam: A Time to Break Silence" (background)